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Lab Quiz Study Guides

Lab #1         Lab #2        Lab #3        Lab #4

Aural Skills     Blooms

Assignments due:

Wed

Place a link to this page on your desktop
On the top of this page, File - Send - Shortcut to desktop
 

Wed

Print 5 sheets of staff paper from link above

or with keyboard on top here 
 

Wed

Blackboard setup

Wed

CPS setup

 Clickers

Class Key: i69379t85

Thu

Demonstrate song using handsigns:  Have major AND minor melodies prepared. 

You may use songs from the Song List or choose others.  Do not choose songs that are too simple, or that were used last semester (if you can remember!)  Have more than one ready in case you are randomly chosen more than once or in case someone else uses your melody.  If you are not here when randomly chosen, and the absence is unexcused, you will receive a zero.

Fri

Quiz #1

Cadences, Non-chord Tones, Inversions

Assignments due:

Wed

Assignment #1

7th Chord Construction

Fri

Computer Lab #1

Note:  You will have to re-enter your password information in Aurelia and join the class "Theory II" to access the material.  Use your real name (in the format of Last name, First name) as log-in because reports will be printed according to log-in name.

Assignment deadline is 5pm.

Lab Groups

1. Choose a leader

2. Choose a name

Assignments due:

Mon

Reading

Chapter 9, p. 191-203

Make 3 Lists

1. Stylistic practices

2. Never (or rarely broken)

3. Occasionally broken

Articulate these in your own words.  Do not copy from the textbook.

Fri

Assignment 1

Workbook p. 80, 81

In preparation for Assignment 1, go over figured bass on p. 81

Fri

Computer Lab #2

Assignment deadline is 5pm.

Fri

Cadence assignment

Bring one sheet of music from your performance group or private lesson (accompaniment part if necessary) with all cadences marked.

Assignments due:

Tues

SS Quiz #1

Thu

ET Quiz

Fri

Assignment 2

Workbook p. 83, 84

Fri

Computer Lab #3

Assignment deadline is 5pm. 

Assignments due:

Fri

Assignment 3

Workbook p. 93, 94

Assignments due:

Thu

Midterm Exam

Midterm Study Guide

Fri

Song Parody Performance

Computer Lab #5

Assignment deadline is 5pm.  

Assignments due:

Tue

ET Quiz and Lab Group exam #2

Thurs

SS Quiz #2

Assignment #5

Analyze "Prelude and Fugue" in C by Bach

• Use both Roman numeral analysis (below) and lead sheet symbols (above)

• Circle non-harmonic tones and label

Fri

Computer Lab #6

Assignment deadline is 5pm. 

Assignments due:

Fri

Assignment #6

Workbook p. 140 - 142

Computer Lab #7

Assignment deadline is 5pm. 

Assignments due:

Mon

Choose 2 poems that would be appropriate for your composition

Copy to a Word document and bring to class

     Note:  Do not "Print Screen" or hand write the page

Have a form in mind for each one (binary, ternary, strophic, etc.)

Remember that the poem MUST be in public domain

Melody in progress

To be continued in piano lab during class

Fri

Computer Lab #8

Assignment deadline is 5pm. 

Assignments due:

Mon

Composition melody due

Include the lyrics in the score

Email the Finale file (saved as yourname_Melody) to me (vjohnson@tarleton.edu) by 8:30am

Bring a hard copy to class on which to make notes

Fri

Computer Lab #9

Assignment deadline is 5pm. 

Assignments due:

Tue

ET Quiz and Lab Group exam #3

Wed

Composition in 4 parts first draft due

Email the Finale file (saved as yourname_CompDraft) to me (vjohnson@tarleton.edu) by 8:30am

Bring a hard copy to class on which to make notes

Remember:  Do NOT use "voices" - use "piano" for playback

Thurs

SS Quiz #3

Fri

Computer Lab #10

Assignment deadline is 5pm. 

Assignments due:

Wed

Composition due

Email the Finale file to me (vjohnson@tarleton.edu) by 8:30am

Bring a hard copy to turn in at the beginning of class stapled to a copy of your poem

Please review Requirements for Final Version here

Assignments due:

Fri

Assignment #7

Textbook p. 329, 330

Assignments due:

Thu

SS & ET Quiz #4

III7

V7/vi

vi

vi

I7

V7/IV

IV7

IV7

iv

iv

I

I

I

I

I

I

VI7

V7/ii

II7

V7/V

II7

V7/V

V7

V7

V7

V7

I

I

I

I

SS Exam #1

1. An alto-clef melody, with hand signs (examples begin on p. 101)
2. Two intervals selected from M2, M3, P4, P5, M6, M7, P8
3. Solfege Daily Routine #5

ET Exam #1

1. 6 intervals from M2, M3, P4, P5, M6, M7, P8           Interval Ear Trainer

2. Identification of non-harmonic tones from H2C

3. Identification of cadences from H3C

4. 3 chords to identify (M, m, A, d)

Triad Ear-training   Triad Trainer

1. 2 4-chord progressions, one major and one minor, using I, ii, IV and V (from H4A)

2. A rhythm pattern with syncopation from R4A

Lab Group Exam #1

1. Chapter 6, Section 5;
2. Solfege Daily Routine #3 @ sixteenth note = 100

SS Exam #2

1. A melody comparable to Ottman, Chapter 8
2. Two intervals selected from m2, m3, TT, m6 and m7
3. Solfege Daily Routine #6

ET Exam #2

1. A melodic dictation from Benward M6A
2. 6 intervals from m2, m3, m6, TT, and m7 (M7D)
3. 6 chords to identify (M, m; plus inversions)
4. 2 4-chord progressions from Benward H5A and H5B (including inversions)
5. A soprano/bass Roman Numeral dictation from Benward H5D
6. A rhythm pattern with quarter beat syncopation, like R5A

Lab Group Exam #2

1. Chapter 8, Section 2 (I choose the parts you sing)
2. Solfege Daily Routine #5 @ sixteenth note = 100

SS Exam #3

1. A melody comparable to Ottman, Chapter 9
2. Two intervals - any
3. Star Spangled Banner with solfege and hand signs

ET Exam #3

1. 7-note pitch pattern (starting on do; any diatonic leap possible)
2. 6 intervals (all M, m and TT), like M8D
3. 6 chords to identify (M, m, A, d; plus inversions for M, m)
4. 3 4-chord progressions, from H7A
5. A soprano/bass Roman numeral dictation from H7D.  (This will include labeling non-harmonic tones in the soprano and bass lines.)
6. A rhythm pattern with syncopation, like R8A

Lab Group Exam #3

1. Chapter 9, Section 4
2. Solfege Daily Routine #6@ eighth note = 80

SS Exam #4

1. A melody comparable to Ottman, Chapter 9
2. A tenor-clef melody, comparable to Ottman, Chapter 7

ET Exam #4

1. 7-note pitch pattern (starting on do; any diatonic leap possible)
2. 6 intervals (any)
3. 6 chords to identify (M, m, plus inversions)
4. 3 4-chord progressions (I, ii, IV, and V only plus inversions)
5. A soprano/bass Roman numeral dictation.  This will include I, ii, IV, and V root position chords as well as non-harmonic tones in the soprano and bass lines.)
6. A rhythm pattern with syncopation, like R8A

Lab Group Exam #4

No Lab Group make-up